Software Design Of A Computer Based System - 1738 Words

A key requirement of the software design of a computer-based system is to transform basic requirements into an architecture that describes the software s top-level structure and identifies its components. Accomplishment of this requirement is through architectural design, providing a blueprint for developing the framework of the software (Mattsson, Lundell, Lings, Fitzgerald, 2009). The establishment of the framework involves examining the software requirements document and designing a model for providing necessary implementation details. The details specify components of the system along with all inputs, outputs, functions, and the interactions between the components. This paper includes a description of the architectural design of a computer-based system that has transform characteristics, and includes a data flow diagram with process narrative, and evaluation of the architectural design. Further, an assessment of the structuring requirements associated with software architec ture is included. Architectural Design Structure An architectural design performs key functions, and is of crucial importance in software engineering during the phase of software development where the essential requirements of reliability, cost, and performance are determined. Architectural design provides the definition of the abstraction level at which the software design specifies both the functional and performance behaviors of the system, and the guidelines for enhancing the system byShow MoreRelatedComputer Systems Design And Related Services Industry908 Words   |  4 Pageswithin the Computer Systems Design and Related Services Industry business deal with the writing, modifying, testing and management of computer software to meet the needs of customers. Employees that work in this industry code for large programs, install different types of software, and customize it to each customer s needs (Computer Scientists and Database Administrators). Specifically, Firms within the Industry design an d create computer systems that integrate computer hardware, software, and communicationsRead MoreSoftware Design : Software Development Life Cycle886 Words   |  4 PagesSystem Design The system design phase is the process that transforms the user requirements into some suitable form, helping the programmer in software implementation and coding. Software design is the first step that moves the concentration from problem domain to solution domain in SDLC (Software development Life Cycle). Software design yields three levels of results that are Architectural Design, High-level design, and detailed design. Firstly, the architectural design is the highest abstract versionRead More Sun Microsystems, Inc. Essay866 Words   |  4 Pagesscalable computer systems, high-speed microprocessors and high performance software for operating network computing equipment and storage products. The Company also provides support, education and professional services. The Companys products are used for many demanding commercial and technical applications in various industries including telecommunications, manufacturing, financial services, education, retail, government, energy and healt hcare. Sun Microsystems lines of business include Computer SystemsRead MoreEssay on A Proposed Computerized Payroll System1050 Words   |  5 Pagesï » ¿ A PROPOSED COMPUTERIZED PAYROLL SYSTEM FOR VESTECH INDUSTRIAL ENTERPRISES SAN ROQUE, STO.TOMAS BATANGAS, PHILIPPINES A Project Study Presented To the Faculty of AMA Computer Learning Center Lipa, Branch In Partial Fulfillment of the Requirements in System Analysis and Design By: Ivilyn D. Ramos March 2014 APPROVAL SHEET This system development study entitled â€Å"A Proposed Computerized Payroll System for VEZTECH INDUSTRIAL ENTERPRISES, Sto.Tomas , Batangas†, preparedRead MoreAssignment 2 Database Management Systems1167 Words   |  5 PagesAssignment-2 Database Management Systems General Database Concepts 1. Describe the types of facility you would expect to be provided in a multi-user DBMS. Data Storage, Retrieval and Update. A User-Accessible Catalog. Transaction Support. Concurrency Control Services. Recovery Services. Authorization Services. Support for Data Communication. Integrity Services. Services to Promote Data Independence. Utility Services. 2Read MoreWork-Related Project Analysis, Part I1212 Words   |  5 PagesWork-Related Project Analysis, Part I Computer designing is a key effective of learning computers are a good educational design. The computer designing has related learning resources went it comes to guidelines. Computer designing guidelines which meet the learning for different types of groups and which are encourage to active and rich learning. The designing can effective the computer based of learning went it come to its environment. The computer has many branch of technology which hasRead MoreThe Importance Of Human Computer Interaction1110 Words   |  5 Pagesspecifically; general software internet based applications. Human computer interaction in its purest form, encapsulates the ways in which we engage with software through input and output. Understanding the importance and requirements of human computer interaction is a pivotal goal towards creating a useable system that can adhere to the needs of the end user. In summary human computer interaction is the study and collection of data gained through monitoring how a computer and a user can interactRead MoreA Brief Note On Information And Communications Technology Essay1141 Words   |  5 PagesTechnology Study By John Linhart Information technology (IT) is the application of computers and internet to store, retrieve, transmit, and manipulate data, or information, often in the context of a business or other enterprise. IT is considered a subset of information and communications technology (ICT). In 2012, Zuppo proposed an ICT hierarchy where each hierarchy level contain some degree of commonality in that they are related to technologies that facilitate the transfer of informationRead MoreComputer Science And Engineering And Science1428 Words   |  6 PagesComputer Science and Engineering By 2050 the world will need 6-7 cubic miles of oil. This is the equivalent to 28 gorge dams, 728 coal fired plants, 364 nuclear power plants, 229,550 wind turbines, or 638,750,000 solar panels. The world will also need clean water for 9 billion people. To make this happen engineers around the world will have to come together to maintain that much energy by 2050. Computer Scientists will be a major part in this process. Computer Science is very unique becauseRead MoreWhat Is It Infrastructure Gap Analysis824 Words   |  4 Pagesinfrastructure needs Gap Analysis Payroll System The capacity of the payroll system can handle current company size. The application is accessible by all employees and allows them to report hours worked and vacation time. The payroll system is able to handle twice the number of users the company currently has in the self-report system. The system is automated by having HR and payroll in the same system. Need to increase the capacity of the current payroll system to handle more users. Integrate payroll

Essay Reveiw - 4144 Words

AP Essay Review 17th Century Affairs 1. How did the disintegration of the medieval church and the coming of the Reformation contribute to the development of nation-states in Western Europe between 1450 and 1648? a. Thesis: Rise of absolutism came at the expense of the medieval church, absolutism laid the foundation for the modern-nation state. Supporting Info: (main body) 1. German princes: Luther’s Reformation = more power for princes. They have greater control of political affairs and national This lays foundation for nation-state as monarch doesn’t have to share power with church. - finances - bureaucracy Before Reformation the church had greater role in a state’s affairs. This changes after Luther. - army - legal system†¦show more content†¦The gov’t didn’t need to invest in industry like the Dutch. Tragically, New World silver and gold became a curse rather than a blessing as Spain would not develop a modern capitalist economy like the English and Dutch. 3. Retarded Spanish MC: Spain did not need a modern middle class as the aristocracy dominated exploitation of the New World. Catholic Spanish society looked down up the money making ways of the merchant class. During the Inquisition wealthy reconversos were expelled from Spain further weakening the merchant class. England and Netherlands had political freedoms that were important as well. Outside Info: Spain did not modernize, just like China did not modernize during 19th century unlike Japan which did. 4. Analyze the factors that prevented the unification of the German state in the 16th and 17th century. a. Thesis: The Reformation was the most important factor preventing German unification. Supporting Info: (main body) 1. Martin Luther/Peace of Augsburg: Luther’s Reformation allowed German princes to choose their own religion. This threatens the unity of the Holy Roman Empire (HRE). Some princes remained loyal to Catholicism and others chose Protestantism. Civil war broke out but Charles V was unable to quash Protestant princes militarily. 2. Objectives of Charles V: Charles V wanted to unify the Holy Roman Empire under theShow MoreRelatedEssay on Elasticity Reveiw3697 Words   |  15 PagesProblem Set 1 Solutions 1. Calculating Taxes. The Herrera Co. had $246,000 in taxable income. Using the rates from Table 2.3 in the chapter calculate the companys income taxes. What is the average tax rate? What is the marginal tax rate? The total amount of income tax is 0.15($50,000 = $7,500 + 0.25(($75,000 – 50,000) = $6,250 + 0.34(($100,000 – 75,000) = $8,500 + 0.39(($246,000 – 100,000) = $56,940 Total = $79,190 The average tax rate is the total amount of taxRead MoreEssay on Psycho Movie Reveiw645 Words   |  3 PagesErowynn  Maul ­Latham   Period  1   Psycho  Movie  Review      The  film  Psycho  by  Alfred  Hitchcock  is  a  horror  film  made  in  1960.  The  film  Psycho   caused  a  huge  amount  of  commotion  in  1960  when  it  was  released,  it  was  a  movie  unlike  any   other  that  had  ever  been  made,  people  were  outraged  and  mind ­blown  by  this  movie  for  many   reasons.  In  the  movie  Psycho  a  young  female  takes  a  large  amount  of  cash  from  her  job  and   leaves  town  planning  to  disappear,  she  is  caught  in  a  heavy  rain  storm  and  is  forced  off  the  road  Read MoreEssay about Hcs 405 Week 4 Simulation Reveiw1072 Words   |  5 PagesSimulation Review HCS483-Health Care Financial Accounting Simulation Review When working as a health care administrator, one must make important financial decisions that can make or break the future of the organization. To give students a peak into some of these financial decisions, online simulations are used. This is the breakdown of one such simulation. The simulation in question deals with the Elijah Heart Center in New York State. The simulationRead MoreA105 ASSIGNMENT 11253 Words   |  6 Pagesgardian newspaper. Cortazzi, S. H., 2010. Hare with the amber eyes reveiw. s.l.:japansociety.org.uk. Waal, D., 2010. Writing a very personal book. [Online] Available at: http://www.edmunddewaal.com/writing/the-hare-with-amber-eyes/about-the-book/essay/ [Accessed 10.3.15 march 2015]. Bibliography cook, r., 2010. Review 2: The Hare with Amber eyes. unknown: the gardian newspaper. Cortazzi, S. H., 2010. Hare with the amber eyes reveiw. s.l.:japansociety.org.uk. Waal, D., 2010. Writing a very personalRead MoreAnalysis Of The Book Ways Of Seeing By John Berger1042 Words   |  5 Pagesthings. It explores our knowledge and past experiences. The reproduction and recreation of images and how that changes our own thoughts on an artwork. The book reveiws the history of nude women in art, and the negative impacts of advertising in the art world. The book is organized in a form of chapters, including pictorials. I chose to write my essay following a similar form. I follow the flow of the chapters, with a summary of each chapter, as well as a reflection. In the first pages of John BergerRead MoreAmerica s Entrance Of The World War I1640 Words   |  7 Pagesgoods. This posed a serious problem for the United States as its economy greatly relied on trade with Great Britain. In effect, Germany declared a policy of unrestricted submarine warfare in early 1915. Charles Seymour’s book, American Neutrality: Essays on the Causes of American Intervention in World War I gave information on Germany’s unrestricted submarine warfare, â€Å"...on February 4, 1915, by the German declaration making the territorial waters of Great Britain and Ireland, including the EnglishRead MoreCB4303 15B Course Doc3685 Words   |  15 Pagesanalysis and present it in oral presentation and/or written format. Contribute comments in class to enhance learning. 20% 3. Demonstrate excellent knowledge on strategic management concepts and theories; argue critically in these terms to answer essay questions 40% To begin with, I will lecture you on prevailing theories and concepts on strategy. You will be able to apply them through case analysis and business strategy simulation game (BSG) decisions. With such course plan, you should beRead MoreFactors Influencing Hrm3688 Words   |  15 PagesAbstract The following essay is an effort to understand the notion that human resource functions cannot be performed in isolation. There is an intense need to identify the external and internal factors that influence the HRM functions and practices. The essay also identifies how successful companies like Nokia, Sony, Panasonic, Ikea, Commonwealth bank, have managed the impact of various internal and external factors to become leaders in their industry. Human resource management has achieved significantRead MoreCB4303 Course Outline 2014 15 SemB3752 Words   |  16 Pagesin this class. Please refer to the Supplementary Reading Section on the Canvas for examples. Plagiarism will not be tolerated and would subject to disciplinary actions including immediately failure for the course. Write well, but write a business, essay-style document. You can use bullet lists where appropriate, but make sure the meaning of the items in the lists also is clearly explained. Don’t assume that your reader has any detailed knowledge of the events that took place in the simulation. Your

Ancient Egyptian Cermamics Essay Example For Students

Ancient Egyptian Cermamics Essay This is essentially an age of discovery, but it is likewise an age for the revision of paat theories. Such a statement ie particularly true of our knowledge of ancient pottery ; for while, on the one hand, we find the archaeologist studying every modem craft in order to obtain hints Ð °Ã ² to ancient methods, on the other hand wo have many modern, craftsmen keen enough about the development of their own craft who are able to throw light on the work of their fellows in remote antiquity. Ae such a craftsman, therefore, and not as an Egyptologist who finds valuable material in the commonest potsherds for hie reconstruc tion of an ancient civilisation, I venture to. address you. It seems to me that too much has been made of the unglacd Egyptian pottery of every period. The ordinary red, buff, or brown pottery — evidently manufactured for the simpler domeatio uses, and largely for the common people has little to Ð ²Ã °Ã'Æ' for itself from the potter’e point of view, however vuluublo it may be as material for sequence- dating to the student of history. It presents no essential difference, either in material or manufacture, from other forms of primitive pottery, whether of ancient or modem times. Its shapes, though characteristic, can hardly be called distinguished, and they have exercised comparatively little influence on the subsequent development of the potters art in other countries. Compared with tho early pottery of other great races, like tho Greeks, Persians, or Chinese, the origin of which is almost as remote, the ordinary unglazed Egyptian pottery occupies a very secondary position. The only exception I should make to this statement is the red ware with shining black mouths, belonging to predynastic times. It is quite otherwise, however, when wo consider its ancient glazed wares dating from early dynastic or prc-dynastic times, with their brilliant turquoise colours of green or blue shade colours which, if not unrivalled, have at all events remainod unsurpassed through all the centuries. European scholars during the past century or so have described this glazed ware as â€Å" Egyptian Porcelain or a? â€Å" Glazed Faience. The reason for this terminology is not far to seek, in fact it is crystallised in Brogniarts famous â€Å"Traits des Arts Ceram- iques,† to which the antiquary of our day generally refers with as much confidence as if it had boeu published yesterday. Honouring Brogniart, as we do, as the pioneer who first tried to reduce all that had been done in pottery to a system, it is only fair to point out that the foundation of a knowledge of pottery which may reasonably be called scientific, has arisen since Brogniart died. To-day we may say safely that the basal mat erial of pottery of any kind is one of tho natural clays, and that we cannot conceive the existence of a kind of pottery which does not contain some form of clay as an essential ingredient. If, however, it can be proved that the brilliantly glazed wares of the Egyptians did not contain clay as an essential ingredient of their subsUnce, we must abandon the use of tho names â€Å" porcelain or faience, that have hitherto been used to describe them. But how are we to settle, at this distant date, the nature of the material from which theso beautiful objects were fashioned? In the first place we have, of course, the aid of chemical analysis, and the following table presents the most reliable analyses of the body of this Egyptian glazed ware that I have been able to obtain from objects of the various periods  It will be seen that these analyses, in spite of minor variations, are remarkably constant in their main constituent, viz., silica, and the first question we have to ask ourselves is how such a material could have been obtained by a mixture of uatural substances. But to Brogniart and his contemporaries who, as it appears to me, were handicapped by the idea that the material must be a form of pottery, the figures given by chemical analysis could only bo explained on the suppo sition that a large proportion of sand had been mixed with a very small proportion of clay to make the substance in question, and no one seems to have inquired whether such a mixture would possess the necessary ploaticity to enable it to be fashioned by the general methods of the potter. After having tried many mixtures of the kind indicated by these analyses, I have been forced to the conclusion that the small amount of clay indicated by the percentage of alumina found would be entirely insufficient to give a material that could be shaped by pottery methods, and wc have, therefore, to search for some other explanation of the general composition of the material used by the ancient Egyptians. It has been recognised for some time that the analyses given above would correspo nd roughly with the analyses of many ordinary sandstone and quartzite rocks, and my researches have satisfied me that the ancient Egyptians used some natural sandstone from which they curved the objects that have Wen so freely found in the tombs glazed with these brilliant glazes. It may perhaps W interesting if I indicate how this view has gradually arisen in my mind, because that may serve as another instance of the reluctance with which most of us depart from generally accepted views. When I first commenced to study pottery, the art of the ancient Egyptians was quite remote from my path, and I therefore accepted the views that I found put forward in the most authoritative books, und assumed, without question, that the glazed objects could be made by mixing a very littlo clay with a large per centage of eand. Like other students, I did not appreciate the fact that the earliest glazed objects recovered from Egyptian tombs comprise small scarabs, beads, necklace pendants, and such like things, carved in schist, steatite, and even in harder minerals, like rock crystal. In that fact there was a hint which ought to have led past observers to a sound view of this question long ago The generally accepted view among Egyp tologists io-dav is that the blue or green glazes first appeared on objects carved from natural stones, and, remembering the con servative nature of the early Egyptian people, it Bccms to me natural that some soft sand stone Bhould have been finally settled upon as the material particularly adapted to these especial glazes. I may be reminded that large tiles, glazed all over, were used to line the walla of tombs in early dynastic times, but I must point out that the carving of fiat tiles from natural sandstone, and the application of turquoise glazes to them, is an art that has persisted to modern times. We find, for instance, that many of the tiles used for decorating tho mosques and tombs in India and Central Asia, long after the ancient Egyptian civilisation had expired, were simply slabs of carved sandstone, and this craft represent » tho survival of a technical method used by the Egyptians as early as the First Dynasty. A consideration of the forms used in the early objects of turquoise glaze, whether green or blue, that have been recovered from tombs, will support the view that they, were carved from some form of natural stone, and not, as most authorities have stated, thrown on the potters wheel. Burial Practices Of The Ancient Egyptian And Greco EssayFor the present the evidence on this head is far from definite or complete. In late Homan times, and im mediately on the Arab occupation, we find an extensive manufacture of Egyptian pottery made in this way, but we arc in doubt as to when the practice originated, and whether on its first appearance this method supplanted the older method or whether, as seems to me more probable, the two methods went on side by side for some centuries, the earlier method being used for small traditional objects, especially those connected with religious rites and cere monies, and the newer method gradually making its way by the development of larger and more ambitious vase forms. In this connection we have the fact that the Persian potters, con temporary with the close of the Egyptian dynasties, manufactured both tiles and vases coated with a sandy face and glazed with blue and green glazes analogous to the Egyptian ones. It may be that they acquired this knowledge from their occupation of Egypt during the time of Cambyees and his successors, though this is hardly more than a probable guess, and until a large scries of dated objects has been examined by the means described in this paper we shall be unable to form any very definite conclusion as to tho date of the new method which bridged scarabs, rings, seals, badges, pectoral plates, etc., all having a close affinity in style to contemporary gold work or jewellery, and pre senting no resemblance to the contemporary work of the potter in common clay. Even when vase forms appear they are of small size (the Tunch cups, etc.), and their shapes and outlines are derived, os I have said, from those common in carved stone, while they have no resemblance to tho contemporary shapes of ordinary pottery. If my theory be correct then we reach another important point, viz., that the discovery of this art of enamelling on objects curved in various stones, including sandstone, did not follow the discoveryiof.the art of making glass, but was really the fom ct origOOi glass, of enamelling on metal, and of pottery glaze. This view lis supported ,by the nature of the earliest objects of cloisonne work, in which beautiful coloured stones such as lapis-lazuli, green felspar and carnelian were freely used many centuries before the use of coloured glass pastes. The real order in which the different fusible artificial silicates made their appearance at all events in Egypt (though probably not in other countries) appears to be, (1) blue or green turquoise glaze on stone objects, (2) glass paste, (8) glass wares made in the Egyptian fashion (not by blowing). Who have still to account, however, for the successive steps by which glazes of analogous over the gap between the â€Å" glazed siliceous wares and Egyptian glazed pottery. Since the highly siliceous character of the early glazed wares has been more clearly recognised by Egyptologists, and it was realised that some alternative must be found for the belief in a mixture of Band with a small percentage of clay to give it plasticity, the suggestion has been made that the objects I believe to have been carved in sandstone were really modelled in sand, held together, and made sufficiently workable to be moulded, by the addition of some fatty or mucilaginous material. Such organic substances wo uld be destroyed and disappear in the early stages of the firing, and then, of course, the glaze would hold the grains of sand together in the way already shown. Tins method may have been used for making the wares of the XXVth and later Dynasties, in which the whole composition appears to be a mixture of sand and glaze, but it can hardly have been in general use with sand alone, for though I have with considerable difficulty succeeded in making a few small glazed figures by this method, they arc softer and more rotten in body than any Egyptian glazed objects I have ever handled. In closing this account of ancient technical methods, which can only be regarded as tenta- tive and suggestive pending the examination of a much greater number of dated specimens, I must mention one of the later technical developments which is of great interest. All Egyptologists are familiar with the incised ushnbti figures of the XXVIth Dynasty just referred to, which are found in such amazing quantities in the tombs of that epoch. These ushabtis are denser and harder in substance than those of previous which is of great interest. All Egyptologists are familiar with the incised ushabti figures of the XXVIth Dynasty just referred to, which are found in such amazing quantities in the tombs of that epoch. These ushabtis are denser and harder in substance than those of previous dynasties, they possess very little gloss, and are of a pale greenish †¢ blue colour, which is fouud to be fairly uniform throughout the mass. There can be no doubt that these were made in moulds, the lines being sharpened up by hand if necessary, and it is perfectly clear that the composition, a mixture of sand and the turquoise frit or glaze, was uniform throughout, that there was no final coating of glaze applied to the surface, and further that such wares were fired to a higher temperature than that used for the ordinary glazed objects. French writers have not hesitated to describe this material as â€Å"porce lain, citing the fact that the earliest French porcelains of the seventeenth and eighteenth centuries, and the Florentine porcelain of the late sixteenth century, were made by mixing a large proportion of glass with the other ingredients. If such a material as that of these XXV Ith Dynasty ushabtis is to be spoken of as porcelain, then we should have to acclaim these Egyptians as the first makers of porcelain in the world, for Chinese porcelain—the true porcelain par excellence—did not make its appearance for many centuries later. But the basal argu ment of this paper is that no substance can be rightly described as porcelain or pottery unless clay is an essential ingredient. These ushabtis do not contain any clay, and therefore I should not describe them as porcelain, but as fritted siliceous ware, in contra distinction to the glazed siliceous wares† of other days. The most astonishing use of glass or glaze in the body of pottery is probably later still in date, apparently of Ptolemaic or Roman times, for a few small bowls have been found, glazed with the more glassy and transparent blue glaze of the late period, which are strongly marbled, as if made in imitation of a dark-blue veined onyx. When such pieces are held up to the light it is found that the marbling is produced by the introduction of fragment of a deep coloured turquoise glaze in the material, so that the sides of the bowl appear set with blue windows. I have chosen to speak only of the turquoise glazes because they are the most characteristic, and are the only ones that occur in every period, from the earliest to the latest. The white and polychrome glazes that began to make their appearance under the XVIIIth Dynasty, and were so largely developed in Roman times, must form the subject of a separate study.

Migrant Hostel, Ancestors and Feliks Skryznecki Essay Example

Migrant Hostel, Ancestors and Feliks Skryznecki Paper Belonging is known as a process of identification that establishes our relationships between individuals and their society. Often, the pursuit of a sense of belonging dominates ones life as it can emerge from the connections made with people and society. It has been found that mans need for companionship, belonging is natural and instinctive and something that is pre-coded in the primitive brain. Aristotle once said, The impulse to form partnership of this kind is present in all men by nature. Knowledge of ones identity through knowledge of where one belongs can give meaning to life and bring about happiness, while exclusion can trigger a sense of unworthiness, even inferiority, and alienation as shown through the poetry of Peter Skryznecki and the film Into the Wild We chose the poems of Peter Skrzynecki as our prescribed text and there is a greater sense of not belonging and alienation in every poem than belonging and acceptance. It is almost that he wants us to feel sympathy and condolence for him in his poems. We will write a custom essay sample on Migrant Hostel, Ancestors and Feliks Skryznecki specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Migrant Hostel, Ancestors and Feliks Skryznecki specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Migrant Hostel, Ancestors and Feliks Skryznecki specifically for you FOR ONLY $16.38 $13.9/page Hire Writer Poems such as Migrant Hostel, Ancestors and Feliks Skryznecki convey his message of being estranged and isolated from his identity of the polish culture and his uncertain future. To convey these views Skrzynecki uses a variety of techniques, the main ones being: metaphors, similes, personification, rhetorical questions and the use of tone. The poem Migrant hostel (Parkes 1949-1951) carries authencity and themes of difficulties assimilating into a new culture, feelings of uncertainty and insecurity and therefore issues surrounding identity, or the lack OF identity. In Migrant Hostel the poet uses the imagery of birds to show us this sense of uncertainty. Example We lived like birds of passage/Always sensing a change and Nationalities sought each other instinctively-/ Like a homing pigeon Feeling uncertain and insecure the migrants sought comfort and security from people with a familiar Background and felt a sense of belonging and acceptance as they were recognised by accents. Also in Migrant Hostel the poet effectively reveals the problems that migrants face of Assimilating into a new culture. Skryznecki does this with his powerful Image and personification of the boom gate at the migrant hostel. As it rose and fell like a finger/ Pointed in reprimand or shame. The word reprimand has negative connotations in this context being that the outside world may not be welcoming. Here we also get the sense that migrants are ostracized from the outside world as they are sealed off the highway which is an obstacle to freedom, new life as they are unable to reach it. In the Poem Felix Skrzynecki the poet explores a contrast of the theme of strong cultural identity and alienation for Feliks Skrzynecki and loss of cultural identity for Peter Skrzynecki in a new land. Feliks Skrzynecki chooses to isolate himself from society as he surrenders belonging in an Australian society; rather he chooses to belong in his garden as he loved his garden like an only child. Feliks feels secure and finds peace of mind in his garden and the use of hyperbole Ten times around the world creates a strong connection between Feliks and his garden. His polish friends/talking they reminisced about farms where paddocks flowered. This shows Feliks strong cultural identity with his polish friends an that he has a spiritual connection to the country that shaped him. Peter Skrzynecki realises that to become his own person (to fulfil his identity) he must move away from his family and surrender the polish culture. The loss of cultural identity is communicated through the image made by lines such as I forgot my first polish word/After that like a dumb prophet, /Watched me pegging my tents/Further and further south Of Hadrians Wall. The use of alliteration and repetition (a potent literary technique) further and further further emphasises the point of how much of the lost of the polish heritage and Peters cultural identity. The poem Ancestors is an interesting and enigmatic poem that raises many questions and images but gives little definite comment. The poem encourages the audience think about their past and the people who are responsible for our existence. These figures seem to appear to the poet in a dream but cannot communicate with him. There is a clear spiritual connection between the persona and these bearded, faceless men/standing shoulder to shoulder? which is a collective term and creates a sense of belonging with the use of alliteration but the rhetorical question undercuts this belonging by confusing the audience. There is also a real sense of uncertainty about his identity as they whisper into the darkness. The poets continual use of they emphasises his lack of knowledge about his ancestors. There is a sense of frustration in the final stanzas. The poet sees clearer faces yet he awakens and cannot speak Why do you wake as there faces become clearer. He captures his dissatisfaction and impotence in the simile, Your tongue as dry as caked mud. There is an inevitable relationship between the shadowy figures and the poet as the wind tastes of blood. This last line answers all the rhetorical questions asked in the poem as it tells the poet that he does have a blood related connection with his ancestors but also suggests that he has betrayed and surrendered his own cultural identity. My related text Into the wild is a story about youthful alienation that alternately irritates and engages. Based on a true story Into the Wild is basically a road picture that follows the adventures of Christopher McCandless, a bright college boy who chooses not to belong to a society that lives a lie bases on reasons and expectations. If we admit that human life can be ruled by reason, then all possibility of life is destroyed. A quote from Christopher McCandless. So he decides to leave and surrender his fake society identity behind The core of mans spirit comes from new experiences. By Chris McCandless and hitch hikes his way for two years like a drifter to live in the wild in search for happiness and his true identity. An example of this concept of not belonging can be seen when the family are having dinner, Christophers parents offer him to buy a car in order to improve his social image but Christopher sees this as an unnecessary measure. Why would I want a new car? / are you worried what the neighbors might think. Chris abandons his family and decides to chuck it all and become a self-styled aesthetic voyager in search of ultimate freedom. in the wild where he feels a great sense of belonging to the places and with the people he meets, I have lived through much and now I think I have found what is needed for happiness. A quiet, secluded life in the country with the possibility of being useful to people. This concept of belonging explores that he has found happiness and therefore found his identity and freedom. This can be seen through the long and far camera angle shots of the landscape and the natural imagery of the snow and the Grand canyon. The impression this film gives is that this act of rebellion by Chris is primarily a way to punish his parents for what he perceives as their hypocrisy and for the misery they put him and his sister through with their brutal fights all during their childhoods we were the bastard children Techniques which were used throughout the film are the use of constant voice overs and close camera angle shots of him writing his thoughts in his diary. The voice overs and written diary shots provide an incentive to the actions of Christopher and how he feels about them. A major concept of belonging to society is portrayed as the most important custom in ones life. The realization of the concept of belonging to society to live can clearly be seen after the death of Christopher. The montage of Christophers past at the end of the film puts together the memorable moments in his life which ironically were all related with his family. It shows him hugging his parents and finally realizing the value of belonging to a society. This realization is also backed up by the closing statement of Chris writing in his diary in his last moments Happiness is only real when shared. This immediately portrays belonging to society as a necessity to feel happy and valued. The poetry of Peter Skrzynecki and The film Into The Wild demonstrate that without a sense of belonging, which in essence arises from knowing ones identity, the individual is incomplete, Hence, life is incomplete. Realizing ones identity, through finding a place where one belongs is a key piece in the puzzle that is contentment. Even a life without belonging is consumed by the yearning to belong-showing that a life untouched by belonging is a life in which satisfaction hence happiness is unattainable.